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Pet Portraits

A Process
 

Stage 4

Stepping back.  As the portrait progresses, I step back often (about three to four feet, or more when I work on larger pieces) to view the entire effect.  It's easy to get lost in the detail, and stepping back provides a way of checking the work.

New colors: at this stage I pretty much work with what I've used so far. I might add different percentage greys, like French Grey 50%, but by now I have a fair grip on the palette for this piece, which also allows me to work under artificial "daylight", particularly in the short daylight hours of winter. I did add Bronze as I started working the belly area.

Time: couldn't keep track of it, but somewhere between 8-10 hours; it will take at least another two hours to reach stage 5

 

Artistic Interpretation. The photos supplied by clients are often small, unclear, and of the wrong color, which is why I ask for several.  Even when I take my own, as in this case, the pose may be perfect, but the lighting less than ideal, the exposure wrong, the wrong film, or any number of problems. Knowing the subject as intimately as I do, I've adjusted for the photo's shortcomings, as well as for faded colors in the dog's neck area (where a distinct black band earned her her name). I can't always do that with someone else's pet, but multiple photos, taken under a variety of circumstances and lighting, as well as interviews with the client and/or observing the pet at home (if possible) will usually yield a fairly accurate image of the animal I am working on.

To show the relationship between painting and photo I'll add a proportional side-by-side on the final page.

 

 

Stage 1 <-- Stage 2 <-- Stage 3 <--|4|--> Stage 5 

Pet Portraits || Horses || Goats || Native Spirit || About the Artist || Web Design & Hosting

 

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23 June, 2004

 

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